Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Nicolas de Stael
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ID: 35902

Nicolas de Stael Figure
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Nicolas de Stael Figure


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Nicolas de Stael

Russian Painter.1914-1955 was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles Nocolas de Stael was born in the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Stael von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Stael's family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Stael would be sent with his older sister Marina to Brussels to live with a Russian family (1922). He eventually studied art at the Brussels Acad??mie royale des beaux-arts (1932). In the 1930s, he travelled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941.   Related Paintings of Nicolas de Stael :. | The Study of Nude | Figure | Footballer | The Sky of Figure | Footballer |
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James Gillray
English Illustrator, 1757-1815 English caricaturist and illustrator. He was essentially self-trained although he studied at the Royal Academy and on the Continent. His caricatures of the court of George III made him immensely popular. His masterly delineations, vigorous, clever, often subtle, sometimes vulgar and grotesque, numbered more than 12,000. Among his best-known cartoons are A New Way to Pay the National Debt (1796), Social Elements in Skating (1805),
Louis Caravaque
Louis Caravaque, a French portrait painter, was a native of Gascony. He went to Russia, and in 1716 painted at Astrakhan the portrait of Peter the Great, which has been engraved by Massard and by Langlois. He again painted the Czar in 1723, and subsequently the Empresses Anne and Elizabeth. He died in Russia in 1752.
Wyke Bayliss
(October 21, 1835, Madeley, Shropshire - April 5, 1906, London) was a British painter, author and poet. He almost exclusively painted interiors of British and European churches and cathedrals, and was known in the late Victorian era as an academic authority on art. From the start of his career Bayliss' main interest was in depicting architecture, finding "infinite charm" in the "infinite variety of the aspect of a Cathedral interior". His unusual first name was his mother Anne's maiden surname. His brother William Wyke Bayliss became a vicar and sister Elizabeth Anne Bayliss married a vicar, whilst a second sister Mary died as a teenager. Bayliss' wider family consisted of a number of luminaries. His great uncle was Thomas Turner, founder of the Caughley porcelain factory, a major leader in the development of the Willow pattern. Bayliss owned a portrait of Turner by Sir Joshua Reynolds as well as a number of further family portraits by Lemuel Francis Abbott . His second cousin was Sir William Maddock Bayliss. Cologne Cathedral, pen and watercolourHis father, Rev. John Cox Bayliss was a railway engineer who taught military and mathematical drawing, and was also an artist known for his work "Views of Shropshire" published in 1839 . He gave his younger son training after he showed drawing aptitude at an early age. The family moved from Madeley to London following a job offer too good to refuse, giving Bayliss the opportunity to immerse himself in the emerging art scene of the early Victorian period. As a young student at the Royal Academy and the School of Design he became affiliated with the Pre-Raphaelites, and he counted amongst his friends John Millais, Frederic Leighton, William Holman Hunt and Edward Burne-Jones While distant from the Pre-Raphaelites in subject and technique, his paintings often reflect the juxtaposition of detail and colour that characterise much of Millais' and Leighton's work. Frederick Wedmore states in the foreword to Bayliss' autobiography "On reflection it will be seen that Wyke Bayliss had his speciality pretty well to himself. He was the inventor of his own genre - as well as his own method" . Bayliss paintings are held in many smaller UK and European collections, including the Atkinson Art Gallery in Southport (Evening: Amiens Cathedral) and the Welsh national collection.






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